My Beautiful Dark Twisted Fantasy Power Art Kanye West

2010 unmarried by Kanye West

"Power"
Kanye West - Power.png
Single by Kanye West
from the anthology My Beautiful Night Twisted Fantasy
Released July one, 2010 (2010-07-01)
Recorded 2009–2010
Genre
  • Hip hop
  • prog-rap[1]
Length
  • 4:52 (album version)
  • 1:34 (video version)
Label
  • Roc-A-Fella
  • Def Jam
Songwriter(s)
  • Kanye Westward
  • Larry Griffin
  • Micheal Dean
  • Jeff Bhasker
  • Andwele Gardner
  • Ken Lewis
  • Francois Bernheim
  • Jean-Pierre Lang
  • Boris Bergman
  • Robert Fripp
  • Michael Giles
  • Greg Lake
  • Ian McDonald
  • Peter Sinfield
  • Ronald Isley
  • O'Kelly Isley
  • Rudolph Isley
  • Billy Carter
  • Harold Cowart
  • Jimmy O'Rourke
  • Ron Ziegler
Producer(due south)
  • S1
  • Kanye Due west
  • Jeff Bhasker
  • Mike Dean
Kanye West singles chronology
"We Are the Globe 25 for Haiti"
(2010)
"Ability"
(2010)
"Live Fast, Die Immature"
(2010)
Music video
"Power" on YouTube

"Power" (often stylized as "Power") is a vocal by American hip hop recording creative person Kanye Westward, released as the pb unmarried from his 5th studio album, My Beautiful Dark Twisted Fantasy (2010). The vocal features additional vocals by soul singer Dwele and is co-produced by Due west and Symbolyc One. It is built around samples of "21st Century Schizoid Man" by King Cherry, "Afromerica" by Continent Number 6, and "It's Your Thing" by Cold Grits. Afterward having recorded it in Hawaii, West reported that v,000 man-hours were spent developing "Power". In its lyrics, Westward comments about the United States, his mental health and his critics. Its chorus features an abrasive vocal-riff.

"Ability" was West's improvement single following his 2008 album 808s & Heartbreak and his controversial incident with Taylor Swift at the 2009 MTV Video Music Awards. The vocal received acclamation from music critics and was listed amidst the best tracks of 2010 past several publications, including Time, Pitchfork Media, Spin, and Rolling Stone. Critics described it every bit a return to class for Westward, praising its intricate production, lyrical merit, and telescopic. It was nominated for a Grammy Award for Best Rap Solo Performance at the 53rd Grammy Awards.

The vocal debuted on the Billboard Hot 100 at position 22 and thereafter declined. The track was promoted by a music video, which was directed past Marco Brambilla. The video features a long take of the camera pulling away from West. The video received positive reviews from critics and received two nominations for MTV Video Music Awards. West performed the song on Sat Nighttime Live, at the 2010 BET Awards, at the 2011 Coachella Music Festival, and his Lookout the Throne Bout. A remix of the track featuring rapper Jay-Z was released on Baronial xx, 2010, as a function of West's weekly Skilful Fridays series.

Background [edit]

2009 was a troubled yr for Kanye West, who had faced diverse controversies, including the divisive nature of his previous album, 808s & Heartbreak and his interruption of recording artist Taylor Swift at the 2009 MTV Video Music Awards during her acceptance voice communication.[ii] West explained that the motivation of some of his questionable decisions stemmed from over-piece of work.[2] The ensuing media controversy caused Due west to exile himself to Oahu, Hawaii and record his fifth studio anthology by and large in a reclusive nature, shying away from collaborating with artists he wasn't personally shut to.[3] While composing the album, West assembled a large staff of established producers including Pete Rock, the RZA and Q-Tip, with West handling portions of the production himself.[4] [5]

Despite having several well-known producers on his recording squad, the majority of the production featured on "Power" was done by the lesser-known Symbolyc One.[2] The song was primarily produced by him and was initially intended to be given to rapper Rhymefest, until West listened to the vocal and expressed involvement in using the beat himself.[2] According to Symbolyc One, West was an admirer of the composition, and asked him to fly downwardly to Hawaii, where he discovered that West had already recorded some of his version of the song.[2] A calendar month subsequently, the producer was asked to return to Hawaii and discovered that the beat had been further modified by West, who added "polish" to the rails.[2] Symbolyc 1 expressed surprise that West was so interested in using the shell, since the vocal features drums reminiscent of a song from W'due south Late Registration entitled "Crack Music".[2] S1 would afterward state that tons of verses didn't brand the last cut, as well as there being viii or 9 different versions of the song itself.[vi]

In an outtake from the 2012 documentary Something from Cypher: The Art of Rap directed past rapper Water ice-T, Westward mused that he had never actually written downward his lyrics earlier, and that "Power" represented a turning bespeak in his songwriting process:[7]

"I didn't write my raps down for my first four albums — like at all, I did it from the head directly to the booth. Simply on this terminal album, My Beautiful Nighttime Twisted Fantasy, I wrote information technology. I really put myself in the zone that my life was dependent on the success of this anthology. With that being the case, I said, 'You know what? No thing what everyone says almost me, they won't — I can write something that can make someone that hates me the most have to really respect or love the song.' So fifty-fifty a song like 'Power,' I spent v,000 hours writing information technology, and it's actually the psychology backside the lyrics; it'south not merely blatantly, 'I've got all the power' — 'No 1 human being should take all that ability.' It'southward worded it in a really sensitive fashion that opens it up for anybody. Even if I use start person and say 'I, I, I,' it'southward always for everyone."[7]

West also declared influence from his previous singles "Stronger" and "Good Life" from his 3rd anthology Graduation stating that the rails was meant to be inspirational for the listener.[vii] According to West, he wanted his music to be appealing in an economy facing a recession.[7] On June thirty, 2010, the single was released on iTunes for digital download.[eight] The cover art work for "Ability" was produced by American visual artist George Condo, who also designed the artwork for My Beautiful Dark Twisted Fantasy.[9] [10] The artwork depicts a decapitated bleeding head wearing a crown, pierced with a sword through it.[10] The unmarried had two other alternate encompass designs, both produced by Condo. A second one was released featuring a depiction of West with a gaping, demented mouth.[10] In a January 2020 interview with GQ, W claimed that "Power" was his weakest starting time single to always be released because he "felt like information technology was bowing to the expectations."[11] W explained, viewing the track as "the ultimate Kanye West song" but claiming that information technology was a mix of his previous works, rather that one of his "songs that people never heard before."[eleven]

Composition [edit]

"Power" marked a stylistic return to hip hop for Due west later the sparse electro of 808s & Heartbreak.[13] Information technology has been described as surreal, frightening, dark, and strange in nature.[5] [14] The production of "Power" centers on samples of "21st Century Schizoid Human being" by English progressive rock band Rex Crimson, "Afromerica" past French disco deed Continent Number 6, and "It'southward Your Affair" by American funk band Cold Grits.[14] [xv] The song's production is reinforced with a vocal harmony provided past Dwele, with a line delivery by and large inspired by humbug rapping methods.[16] [17] The song has been described as nighttime thematically and was called "apocalyptic."[xiv] Co-ordinate to Alex Denney of NME, the track is the get-go moment of catharsis on My Beautiful Night Twisted Fantasy, stating that the track fabricated utilize of "tribal fanfare and supercharged lyrics."[eighteen] He mused that lines like "I guess every superhero need his theme music" appear to be Westward's imagining of a warm welcome to sky.[eighteen] Pitchfork Media's Ryan Dombal described West's delivery as urgent, summarizing the production;

"More than ever, though, "Power" has Kanye internalizing his multiple minds and coming to an ecstatic peace with them. "Power" is non a bitchfest. Information technology'southward an exaltation. All of his various guises-- King of the Assholes, drama queen, Ruby-red Bull'd 12-year-quondam, Next Chappelle, strangely relatable Megaman-- are mashed up in this proudly schizoid scroll call. Every sound is ready for the loonshit, and every couplet is ready for the 140 character treatment, including this ane: "I don't need yo pussy, bitch, I'g on my own dick/ I ain't gotta power trip, who you goin' home with?" He knows the answer, and so exercise we."[nineteen]

The song takes several influences from previous projects past West and was chosen a summation of his prior styles.[20] The vocal takes cues from the militant chants of West'due south song "Jesus Walks" from his start album The College Dropout, the drum-style of "Crack Music" from W'south Belatedly Registration, the inspirational aspect of "Stronger" from Graduation and the atmospheric piano and strings featured on 808s & Heartbreak.[2] [5] [7] [20] The chorus is "simultaneously exhibitionistic, condemning, and anxious," and anthemic in nature, featuring a wordless vocal chant.[20] [21] [22] W utilizes a military machine-inspired, "take-no-prisoner" arroyo on the song, purposely failing to be apologetic, even going equally far as mocking some of his critics.[5] Other topics discussed on the song include social commentary on the state of the Us, and his thoughts on race problems.[5]

The lyrics of the song have been cited as "classic Kanye," featuring many of the traits that take been exhibited in his lyricism in the past.[23] Themes that have divers much of his work, such as egotism, cultural criticism, and personal issues, are featured prominently in the song.[xx] [23] W self-described the song as "superhero theme music," with the track darting back from beingness depressing and bombastic in nature, with the sample occasionally cutting through the vocal in an abrasive style. The track seemingly culminates with the suicide of its principal grapheme, ending with a menacing express mirth provided by West.[20] [22] During an interview with New York radio station Power 105.ane, West said he spent thousands of hours working on this carefully crafted song. "A song like 'Ability' took 5,000 hours, like literally 5,000 man-hours to do this ane record."[24]

Reception [edit]

Critical response [edit]

West's "Power" was widely acclaimed past music critics, with Rolling Rock calling it West'due south best single in years. Several publications named it amongst the all-time songs of 2010.

"Power" received rave reviews from music critics upon release, many calling it West's all-time single in years. Jon Dolan of Rolling Stone gave a positive review to the song, describing it as Westward's best single since "Stronger", writing that Westward "rides a torrid whipsaw vanquish, as he takes on his spelunking media paradigm, pinballing from cocky-aware ('I'g an asshole') to defiant ('Kiss my asshole'). The sentiment is classic Kanye, but he hasn't melted downwardly this brilliantly in a long time."[23] Jason Lipshutz from Billboard praised the vocal, maxim, "with its stunning mix of stone-leaning production, memorable rhymes and unadulterated mental attitude, new unmarried 'Ability' is a pissed-off shot of adrenaline that plays upon all of the controversial rapper's strengths. Rhyming over a soulful vocal harmony and an abrasive sample of King Blood-red's "21st Century Schizoid Homo," West dismisses his doubters, takes a shot at Saturday Night Live and shrugs off his recent hiatus from hip-hop."[17] Ryan Dombal of Pitchfork Media dubbed the track 'All-time New Music' in June 2010, and viewed it as an adequate response to Westward's self-imposed exile and public scrutiny.[19]

Talking about the anthology version of the vocal, David Amidon of PopMatters praised the new minor additions featured in the production, musing "from mere sonic details to a litany of background histrionics on guitar that play off of West's delivery throughout," and compared the production favorably to Late Registration.[25] HipHopDX writer Jake Paine felt that one of the best moments of the album occurred early on, during "Power" and that track volition likely be the well-nigh remembered vocal "in lyrical circles."[26] Nathan Rabin of The A.Five. Club chosen the track a terrific single, declaring that information technology "soars to adrenaline-fueled heights on the strength of urgent, stomping percussion-driven, serpentine electric guitar, and a show-stopping sample of Male monarch Crimson's "21st Century Schizoid Man", stating that the song all-time showcases West's vision on the anthology.[27] BBC's Stephen Kelly chosen the song "brilliantly pompous."[28]

Chicago Tribune writer Greg Kot called the song exhilarating in nature, with a furious, layered, percussion beat, praising the song's narrative about a man who "lost in translation with a whole... nation."[22] MT Richards of Camber Magazine stated that "Power" sounded nothing like whatever hip-hop vocal of recent memory, going every bit far as saying that the unmarried signified that Westward was in a "league of his own."[5] Richards largely praised, the song, musing that the "misanthropic 'Ability' volition surely amerce those longing for another sunny hit like "Hey Mama". At concluding, West has emerged steely-eyed, bold, and out of his heed."[5] AbsolutePunk's Drew Beringer stated that the track was a classic West song, with the runway featuring a "brilliant sample of King Crimson" and infectious hand claps.[29]

The song was likewise well received by old King Crimson fellow member Greg Lake, the original lead vocalist and bassist on "21st Century Schizoid Human being." When asked for his own stance on sampling during an interview with O2 Academy, Lake gave a positive response. He stated, "What I was pleased with was, is the relevance of '21st Century Schizoid Man' today.' You know, it still sounds current. It yet sounds relevant. That's really gratifying afterward all of these years. I mean, that tape is what — twoscore, 50 years onetime? I don't know, only very one-time. Former like me! But it's lovely to hear a really contemporary artist doing it."[30] In an interview with Rolling Stone, Lake further commented, "In a style, that song still sounds modern to me. I think when you hear Kanye West exercise information technology, or include it in his own song, it's relevant. He's speaking virtually that crazy world that we alive in. It's as truthful at present as it was then. It'south an honor when something like that happens."[31] Due in part to West's usage, "21st Century Schizoid Homo" has since become a favorite of Lake, who became known for opening each of his i-man shows past performing the song during his 2012 Songs of a Lifetime theatre tour.[32] Lake went into detail regarding a typical performance of "21st Century Schizoid Homo" at his concerts:

"It starts with the lights going out and everything is blackness. The offset thing you hear is the Kanye W slice. When the claw comes on, "21st Century Schizoid Homo," the spotlight comes on and there's no one on the phase. Then the rails carries, but the second time the hook comes, information technology'southward me, and me singing it. And I open up upwardly with "Schizoid Man." Information technology's a swell shocker, only information technology's a statement also. It's enabled me to link the past with the present."[31]

Accolades [edit]

Pitchfork Media named the song the sixth best vocal of 2010, with the staff writing "information technology'due south all of My Beautiful Dark Twisted Fantasy's pathology and genius in assimilate course, the vicarious, timeless thrill of hearing a crazy talented person deed crazy and talented."[20] Rolling Stone placed the song at position forty amongst their fifty best tracks of the year.[33] The song was on an unordered list of the 20 best songs of the year by Spin, with critic Charles Aaron musing that "equally if he'southward inciting an Afro-futurist convocation, Kanye creates the theme music for his spectacularly ambivalent "superhero" change ego."[34] MTV News declared the track the tertiary best of the year, citing it equally a definitive single from the anthology.[35] Time listed the vocal tertiary in its list of the x best songs of the twelvemonth.[36] Complex mag listed it as the sixth all-time of the year, commenting that with "all the great music Kanye released this yr, you might have forgotten simply how admittedly astonishing 'Power' was."[37] In Jan 2011, The Village Voice 's Pazz & Jop annual critics' poll named "Power" the fifth-best song of 2010 to find the best music of that year; W's other singles "Delinquent" and "Monster" were ranked at numbers four and half-dozen, respectively. Their parent anthology, My Beautiful Dark Twisted Fantasy was ranked the best album of 2010 on the aforementioned poll. NME named information technology the 4th best song of 2010.[38] The song was named the 3rd best song of 2010 by Spectrum Civilization.[39] Pop Matters named information technology the 5th best vocal of 2010.[forty] Outcome of Sound named "Ability" the best vocal of 2010.[41]

As "Ability" was released before the Grammy cutoff engagement of August, it was the only piece of work by Due west eligible for Grammy consideration that yr, with the rest of the anthology eligible the following yr.[42] The runway was nominated for All-time Rap Performance at the 53rd Grammy Awards, being West'southward but Grammy nomination that year.[42] Information technology lost the award to "Not Agape" by Eminem.[42] Though the album, and its songs, later won three Grammys at the 54th Grammy Awards in 2012.[43] In 2019, The song was included Billboard'due south "100 Songs That Defined the Decade" list, with writer Bryan Kress' summarising; "the about endearing aspect of "Power" is the difficult-earned salvation of Kanye's reputation at a pivotal juncture in his career. At the eve of a new decade with his legacy tarnished and largely unfulfilled, West rewrote the narrative, and inverse the course of the music manufacture equally a continually groundbreaking force that could not be stopped."[44]

Commercial functioning [edit]

While a significant critical success, "Power" performed less well commercially.[45] During the week entering 8 July 2010, "Power" charted on the Billboard Hot 100 at number 22; named as the week's Hot Shot Debut.[45] [46] While the song attained a loftier debut, the vocal only remained there for i week, which was also the vocal'southward top.[45] Despite this autumn in the charts, the song did somewhen go platinum. On iv September 2010, the single besides debuted on the United kingdom Singles Nautical chart and UK R&B Nautical chart at number 36 and x respectively, before falling to number 42 on its second week in the chart.[45] It debuted with sales of 6,254 downloads and marked West's 6th singles chart entry in less than six years.[47] On 18 September 2010, the single fell 38 places to number 80, marking its 3rd week within the Meridian 100.[48] Post-obit the release of the album My Cute Night Twisted Fantasy, the single re-entered the chart at number 57 and as of 23 October 2010 has spent a total of five weeks within the Top 100.[48] In 2011, the single re-entered the UK singles chart and urban chart, at number 38 and 12 respectively.[49] [l]

By 2017, Official Charts Company revealed that "Ability" was the 83rd best-selling hip-hop song of all fourth dimension in the UK.[51] In 2018, Spotify named the song the 4th near popular workout song of all time, while West's "Stronger" was third on the listing.[52] As of October 24, 2019, the erstwhile ranks as West's seventh most popular track of all time on the Uk Singles Chart.[53]

Marketing [edit]

Remix [edit]

"Power (Remix)" was released every bit a free unmarried through W's M.O.O.D. Fridays plan.

In promotion of West'southward My Beautiful Dark Twisted Fantasy, he launched GOOD Fridays, a weekly free music giveaway.[54] The intention was to release a free new song every Fri for a few months to promote his album, and the weekly tracks generally featured various rappers from his label, Expert Music, and other artists he usually collaborated with.[54] A remix of "Power" was the very outset GOOD Fri released, and in an interview with Hot 97, West said that the remix was to feature his good friend and rapper Jay-Z.[55] It was originally intended to be released on August 13, 2010, but was premiered on August 20, 2010, on Hot 97 by Funkmaster Flex.[55] The vocal also features vocals and production from Swizz Beatz and all new verses provided past Westward.[56] Swizz Beatz produced the 2d half of the song which samples Snap!'south hip business firm hit, "The Ability."[56] The remix was described as more than intricate than an average remix, with Jay-Z discussing the ups and downs of life and referencing Norman Mailer.[56]

Live performances [edit]

The more often than not red outfit worn by West during some performances of "Power".

Westward debuted "Power" alive at the 2010 BET Awards, where he performed the vocal atop a mountain-like prop, with a video compilation of footage shot on elevation of a mountain playing in the back.[57] Westward performed the runway on Saturday Night Live on October 2, where he likewise substituted a verse containing profane language, every bit well every bit a diss towards the show itself ("Fuck SNL and the whole cast"), with an entirely new version.[58] [59] For the commencement time in the show's history, the signature black musical instrument filled stage gave place to an all-white, backlit sheet.[60]

Westward's operation was heavily publicized and received positive notices.[60] HitFix'due south Gregory Ellwood praised the functioning, writing "note to Lorne Michaels: whatever Westward had to do to let you lot break form and come with such a visually stunning and impressive performance was well, well worth it. This is memorable television. Hands downward."[60] Due east! Online'due south Megan Masters mused that "W's SNL performance proved once once more that no matter what's going on in his personal life, he is an artist and will continue to run a risk in the music industry—ultimately breaking new ground," adding that "Kanye West is a improvement king."[61] Kevin O'Donnell of Spin wrote that Westward delivered one of the show's "most unique performances of all-fourth dimension."[62] West performed the vocal in an entirely carmine outfit.[59]

W also performed the rail live at the EMAs 2010, in Madrid, during Thirty Seconds to Mars's performance of their song "Hurricane", which likewise features a verse by Westward.[63] The remixed version of the song were performed by Westward and Jay-Z during their Watch the Throne Bout.[64] The remixed version was performed at Jay-Z's and Eminem's "Abode & Dwelling house" concert in the new Yankee Stadium, during Jay-Z portion of the performance.[65] Due west joined Jay-Z on stage and as well performed single "Monster".[65] During his set at the 2011 Coachella Valley Music and Arts Festival, Due west performed "Power" during the start of the performance.[66] W's performance was described equally "one of the well-nigh memorable performances in Coachella history."[67] Matthew Perpetua of Rolling Stone noted that "with its stomping beat and chanted chorus, 'Ability' – one of West's most grandiose songs anyway – was an early highlight of his show."[68] When performing with a choir at the festival in 2019, West directed the choir through a re-brand of the song that praised God'due south chapters.[69]

Music video [edit]

A screenshot of the music video.

The New York Times previewed a clip of the music video directed by artist Marco Brambilla, featuring Irina Shayk, Jessica White and African-American albino fashion model Diandra Forrest.[70] The video premiered on MTV on August five, 2010, preceding a new episode of Jersey Shore.[71] The "Power" video commences with a portrait-view headshot of West staring intensely into the camera with illuminated eyes and wearing a large, low-hanging gold chain necklace with an equally large pendant of Horus.[72] [73] [74]

As the music begins, the photographic camera slowly tracks out in one continuous take to reveal Due west standing at the end of a hallway of black columns, and surrounded by partially dressed female characters.[75] [76] Some kneel before him, some embrace, four figures wear ibex-similar horns; and some are inverted, pouring water that flows upwards.[75] [76] Two horned, staff-bearing figures, loosely resembling interpretations of Isis and Hathor, stand on either side of Due west; each slowly strikes the footing with their staff, in fourth dimension to the music.[76] The Sword of Damocles hangs over the rapper's head, while other slowly moving figures appear gear up to strike West with blades.[76] The various figures within the painting are presented in poses similar to the Major Arcana and Minor Arcana of the Etteilla occult tarot deck.[76] Anthony Beningo of Daily News described the ending of the video:

Music video director Marco Brambilla described his "Ability" video every bit personal and apocalyptic in nature, stating that the video exaggerated the bulletin of the song.

"The focus of the video turns out to be West'due south death. After a few close-upwards shots of the rapper'southward surroundings, Brambilla's photographic camera pulls dorsum and anybody disappears, leaving only West and the two warriors. Realization dawns that they aren't swinging at each other, but rather converging on King Kanye. But before they can decapitate him, still, the video cuts to black."[74]

W has called the video a "moving painting."[71] Brambilla mused almost the video that "it's kind of apocalyptic, in a very personal mode," and that "it's a very exaggerated hyper-sensational version of what the song is saying."[77] The video is much shorter than the bodily vocal, lasting less than ii minutes and simply covering the first verse. It was after revealed that the 103-second video, which invokes cultural references from the Renaissance period to Greek mythology, is a teaser for a longer clip, though the total-length version of the video never surfaced.[78] One of the reasons proposed why the full version never was released was because "Power" was also used during Runaway, a 35-minute music video directed by West set to music from My Beautiful Dark Twisted Fantasy.[79] [80]

Reception [edit]

MTV Buzzworthy's Chris Ryan gave a positive review of the video, stating that it "marks a change in the way we look at music videos as a medium – it's less a music video, more a modern art montage with a heavy dose of ancient Egyptian imagery and possible references to Michelangelo's "The Creation of Adam" (with a fair Kanye-esque helping of chesty females). In it, Kanye West ironically builds an unattainable artistic empire fit for a male monarch (or pharaoh), while condemning the role power plays in our lives. So much to recall about."[81] Beningo of Daily News compared the video to the piece of work of Michael Jackson, calling it an outcome of a video.[74] Hitfix'south Katie Hasty mused that West "put on a crown for 'Jesus Walks,' so it was only a matter of fourth dimension before he ascended into heaven," describing the video every bit a "niggling weird, a piddling funny."[75] The video for "Power" earned multiple nominations; All-time Special Effects and All-time Art Direction at the 2011 MTV Video Music Awards,[82] Best Visual Effects and Best Urban Video at the 2010 UK Music Video Awards.,[83] along with Best Hip-Hop Video at the 2011 MTV Video Music Aid Japan.[84] NME named it the 2nd best music video of 2010.[85] Rolling Stone listed information technology amongst the ten best music videos of 2010.[86]

Personnel [edit]

  • Produced by S1 and Kanye Westward
  • Additional Production by Jeff Bhasker and Mike Dean
  • Recorded past Andrew Dawson, Anthony Kilhoffer and Mike Dean at the Avex Recording Studio, Honolulu
  • Engineered by Ken Lewis and Brent Kolatalo
  • Mixed by Manny Marroquin at Larrabee Studios, LA
  • Assistant Mix Engineers: Christian Plata and Erik Madrid
  • Dirge Vocals: Alvin Fields and Ken Lewis
  • Handclaps past Ian Allen, Wilson Christopher, Uri Djemal and Chris Soper
  • Keyboards: Jeff Bhasker and Mike Dean
  • Guitar and Bass: Mike Dean
  • Cello: Chris "Hitchcock" Chorney
  • Boosted Vocals: Dwele

Media usage [edit]

  • "Power" was used in a hip-hop routine on the hit dance evidence So You Call back Yous Tin Dance in its 7th season.[87]
  • Professional skateboarder Paul Rodriguez used the song for his 2010 Programme B Skateboards solo skate video Me, Myself & I.[88]
  • The song appeared in a promotional trailer for 2010 moving-picture show The Social Network.[89]
  • "Ability" appeared in the trailer for 2011 picture show Limitless.[xc]
  • The song was used in TV spots for the 2015 reboot of "Fantastic Four".[91]
  • "Power" was featured in the trailer for 2013 crime drama film Broken City.[92]
  • Information technology was featured in an episode of Gossip Girl entitled "Cheerio, Columbia."[93]
  • The single featured in the video game Saints Row: The Third, appearing in the single-player campaign and in-game radio stations, as well as its soundtrack terminate credits and trailer.[94]
  • The song was utilized in the official trailer for Forza Motorsport 4.[95]
  • The track was used in the pilot episode of Hit the Flooring on VH1.[96]
  • Texas A&M Academy uses "Ability" as their football team's intro music.[97]
  • Creighton Academy uses "Power" at the offset of their men'southward basketball game games.[98]
  • Iowa State University uses "Power" equally their football squad'south intro music.[99]
  • American Airlines used the song in a 2013 commercial titled: "New Plane Odor".[100]
  • ITV News used "Ability" in their promotional campaigns for their coverage of the 2015 general ballot.[101]
  • The song was used in a TV spot for the BBC One show Ripper Street.[102]
  • "Power" was used as the backdrop to a bumper for The Daily Show featuring its new host, Trevor Noah.[102]
  • Paco Rabanne's Invictus and Olympea fragrance tv set commercials featured the vocal.[103] [104]
  • The 2017 movie Ability Rangers used the song in its trailer, as well as during a scene in the motion-picture show.[105]
  • Information technology was featured in a scene on United kingdom reality Television set series Love Isle during flavour iii, episode 33.[106]
  • "Power" was used in an Xbox One X Tv commercial entitled "Feel True Power".[107]
  • An orchestral encompass of "Power" was used in the second trailer for 2017 motion-picture show All the Money in the World.[108]
  • The song was used in a scene of 2013 film The Bling Ring, and appeared on its soundtrack.[109]
  • "Power" was featured in a 2019 Ford Mustang Mach-E European ad campaign, entitled: Ford: Bring on Tomorrow.[110] [111]
  • English soccer squad A.F.C. Bournemouth use the song during their pre-match routine.[112]
  • The song served as Pittsburgh Pirate Kevin Newman's at bat tune.[113]

Charts [edit]

Certifications [edit]

Release history [edit]

Region Appointment Format
United States May 28, 2010 Radio premiere
July 1, 2010[8] Digital download
United kingdom of great britain and northern ireland August 29, 2010[132]

References [edit]

  1. ^ Vozick-Levinson, Simon (May 28, 2010). "Kanye West'southward new song 'Ability' disses 'SNL,' samples King Ruddy". Entertainment Weekly . Retrieved July 21, 2021.
  2. ^ a b c d e f g h Callahan-Bever, Noah (2010–12). Kanye W: Project Delinquent. Complex. Retrieved on 2010-11-30.
  3. ^ Columnist (2010-09-03). Kanye West Hiding Out in Milan! Archived 2012-03-03 at the Wayback Machine. Posh24. Retrieved on 2010-11-xxx.
  4. ^ Rodriguez, Jayson (2010-05-25). Kanye Due west's 'Ability' Producer Explains How Song Happened. MTV. Viacom Retrieved on 2010-eleven-xxx.
  5. ^ a b c d e f one thousand Richards, MT (2010-06-03). Single Review: Kanye West's Ability. Slant Mag. Retrieved on 2010-11-20.
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Source: https://en.wikipedia.org/wiki/Power_(Kanye_West_song)

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